Clothes Evening Dress

• Widescreen
• 2 Discs

Nicole Kidman (Academy Award(R) Winner -- Best Actress, THE HOURS, 2002) stars with Academy Award(R) winner Renée Zellweger (Best Supporting Actress, COLD MOUNTAIN, 2003) and Academy Award® nominee Jude Law (Best Actor, COLD MOUNTAIN). At the dawn of the Civil War, the men of Cold Mountain, North Carolina, rush to join the Confederate army. Ada (Kidman) has vowed to wait for Inman (Law), but as the war drags on and letters go unanswered, she must find the will to survive. At war's end, hearts will be dashed, dreams fulfilled, and the strength of the human spirit tested ... but not broken! Directed by Academy Award® winner Anthony Minghella (Best Director, THE ENGLISH PATIENT, 1996).Freely adapted from Charles Frazier's beloved bestseller, Cold Mountain boasts an impeccable pedigree as a respectable Civil War love story, offering everything you'd want from ! a romantic epic except a resonant emotional core. Everything in this sweeping, Odyssean journey depends on believing in the instant love that ignites during a very brief encounter between genteel, city-bred preacher's daughter Ada (Nicole Kidman) and Confederate soldier Inman (Jude Law), who deserts the battlefield to return, weary and wounded, to Ada's inherited farm in the rural town of Cold Mountain, North Carolina. In an epic (but dramatically tenuous) case of absence making hearts grow fonder, Inman endures a treacherous hike fraught with danger (and populated by supporting players including Philip Seymour Hoffman, Natalie Portman, and others) while the struggling, inexperienced Ada is aided by the high-spirited Ruby (Renée Zellweger), forming a powerful farming partnership that transforms Ada into a strong, lovelorn survivor. The film's episodic structure slightly weakens its emotional impact, and it's fairly obvious that director Anthony Minghella is striving! to repeat the prestigious romanticism of his Oscar®-winning ! hit T he English Patient. For the most part it works, especially in the dynamic performances of Zellweger and Kidman, and the explosive 1864 battle of Petersburg, Virginia, is recreated with violent, percussive intensity. Those who admired Frazier's novel may regret some of the changes made in Minghella's adaptation (the ending is particularly altered), but Cold Mountain remains a high-class example of grand, old-fashioned filmmaking, boosted by star power of the highest order. --Jeff ShannonThis unabridged audio version of Cold Mountain, read by author Charles Frazier, deserves at least as much acclaim as the bestselling print edition, which won the National Book Award. The tale chronicles a Confederate army deserter's search for home and love in the last days of the Civil War.

Mu! ch has been made of the story's homage to The Odyssey, ! the ori gins of which are found in an oral tradition. One can't help but hear echoes of Homer when listening to Frazier's soft, deliberate voice give life to his lyrical writing and to his understated, yet convincing rendering of the overwhelming events of war. Both Frazier's prose and reading are leisurely, recalling a slow foot pace. His delivery is uniquely suited to Innman's arduous, adventure-filled walk toward home and to the possibility of a reunion with Ada, the woman he loves. The author's reading does equal justice to Ada, who is being transformed by her struggle for survival on her father's farm. There is precious little dialogue, and Frazier makes no effort at acting out the characters.

One small irritation in the production is a beeping noise at the end of each side. Another minor complaint is that the tapes don't have individual boxes, which was perhaps an attempt to make the overall package appear more booklike. The recording does, however, make deft ! use of two brief musical interludes. In a subtle twist, the fiddle music that opens the first cassette, when repeated as an accompaniment to the epilogue, carries a bittersweet and unexpected resonance. By all means, forgive Random House Audio the tiny glitches, pass over that slender abridged version, and take home the real thing. This audiocassette is a journey that will leave few listeners unchanged by the experience. (Running time: 14.5 hours, 12 cassettes) --Naomi J. Cohn At the dawn of the civil war, the men of Cold Mountain, North Carolina, rush to join the confederate army. Ada (Kidman) has vowed to wait for Inman (Law), but as the war drags on and letters go unanswered, she must find the will to survive. At war's end, hearts will be dashed, dreams fulfilled and the strength of human spirit tested...but not broken! Directed by Academy Award winner Anthony Minghella (The English Patient).Freely adapted from Charles Frazier's beloved bestseller, Cold Mountain boasts an impeccable pedigree as a respect! able Civ il War love story, offering everything you'd want from a romantic epic except a resonant emotional core. Everything in this sweeping, Odyssean journey depends on believing in the instant love that ignites during a very brief encounter between genteel, city-bred preacher's daughter Ada (Nicole Kidman) and Confederate soldier Inman (Jude Law), who deserts the battlefield to return, weary and wounded, to Ada's inherited farm in the rural town of Cold Mountain, North Carolina. In an epic (but dramatically tenuous) case of absence making hearts grow fonder, Inman endures a treacherous hike fraught with danger (and populated by supporting players including Philip Seymour Hoffman, Natalie Portman, and others) while the struggling, inexperienced Ada is aided by the high-spirited Ruby (Renée Zellweger), forming a powerful farming partnership that transforms Ada into a strong, lovelorn survivor. The film's episodic structure slightly weakens its emotional impact, and it's fair! ly obvious that director Anthony Minghella is striving to repeat the prestigious romanticism of his Oscar®-winning hit The English Patient. For the most part it works, especially in the dynamic performances of Zellweger and Kidman, and the explosive 1864 battle of Petersburg, Virginia, is recreated with violent, percussive intensity. Those who admired Frazier's novel may regret some of the changes made in Minghella's adaptation (the ending is particularly altered), but Cold Mountain remains a high-class example of grand, old-fashioned filmmaking, boosted by star power of the highest order. --Jeff Shannon

Import Blu-Ray/Region A pressing. Nicole Kidman stars with Academy Award winner Renée Zellweger and Academy Award® nominee Jude Law (Best Actor). At the dawn of the Civil War, the men of Cold ! Mountain, North Carolina, rush to join the Confederate army. A! da (Kidm an) has vowed to wait for Inman (Law), but as the war drags on and letters go unanswered, she must find the will to survive. At war's end, hearts will be dashed, dreams fulfilled, and the strength of the human spirit tested ... but not broken! Directed by Academy Award® winner Anthony Minghella.Freely adapted from Charles Frazier's beloved bestseller, Cold Mountain boasts an impeccable pedigree as a respectable Civil War love story, offering everything you'd want from a romantic epic except a resonant emotional core. Everything in this sweeping, Odyssean journey depends on believing in the instant love that ignites during a very brief encounter between genteel, city-bred preacher's daughter Ada (Nicole Kidman) and Confederate soldier Inman (Jude Law), who deserts the battlefield to return, weary and wounded, to Ada's inherited farm in the rural town of Cold Mountain, North Carolina. In an epic (but dramatically tenuous) case of absence making hearts grow fonde! r, Inman endures a treacherous hike fraught with danger (and populated by supporting players including Philip Seymour Hoffman, Natalie Portman, and others) while the struggling, inexperienced Ada is aided by the high-spirited Ruby (Renée Zellweger), forming a powerful farming partnership that transforms Ada into a strong, lovelorn survivor. The film's episodic structure slightly weakens its emotional impact, and it's fairly obvious that director Anthony Minghella is striving to repeat the prestigious romanticism of his Oscar®-winning hit The English Patient. For the most part it works, especially in the dynamic performances of Zellweger and Kidman, and the explosive 1864 battle of Petersburg, Virginia, is recreated with violent, percussive intensity. Those who admired Frazier's novel may regret some of the changes made in Minghella's adaptation (the ending is particularly altered), but Cold Mountain remains a high-class example of grand, old-fashioned filmma! king, boosted by star power of the highest order. --Jeff Sh! annonThe extraordinary author of Cold Mountain and Thirteen Moons returns with a dazzling new novel of suspense and love set in small-town North Carolina in the early 1960s.
 
Charles Frazier puts his remarkable gifts in the service of a lean, taut narrative while losing none of the transcendent prose, virtuosic storytelling, and insight into human nature that have made him one of the most beloved and celebrated authors in the world. Now, with his brilliant portrait of Luce, a young woman who inherits her murdered sister’s troubled twins, Frazier has created his most memorable heroine.
 
Before the children, Luce was content with the reimbursements of the rich Appalachian landscape, choosing to live apart from the small community around her. But the coming of the children changes everything, cracking open her solitary life in difficult, hopeful, dangerous ways.
 
Charles Frazier is known for his historical literary odysseys, and for making ! figures in the past come vividly to life. Set in the twentieth century, Nightwoods resonates with the timelessness of a great work of art.Amazon Best Books of the Month, October 2011: A woman living in an abandoned rural lodge is suddenly forced to raise her dead sister's two wild young children. Neither of them has spoken a word since witnessing their mother's brutal murder, and they’ve developed a fondness for breaking things and starting fires. These mute, trouble-making kids are among Charles Frazier’s finest characters. And when their ne'er-do-well father is acquitted and released from jail, the action in this lush and lively novel flares. With sharp dialogue, unexpected humor, and a powerful ability to depict the scents and sounds of loamy Carolina backwoods, while toying with fire and water as his themes, Frazier has crafted an impressive story, proving that Cold Mountain was no fluke. --Neal Thompson


! A Letter from Author Charles Frazier

Lost in the woods. A dangerous phrase, but also with a resonance of folktale. Hansel and Gretel with their bread crumbs. Jack alone, roaming the lovely, dark, and deep southern mountains. So, young people and old people being lost in the woods has always been interesting to me for those reasons. And also because it happens all the time still.

Back when I was a kid, eight or ten, my friends and I lived with a mountain in our backyards. We stayed off it in summer. Too hot and snaky. But in the cool seasons, we roamed freely. We carried bb guns in the fall and rode our sleds down old logging roads in winter. We often got lost. But we knew that downhill was the way out, the way! home. When I grew up and went into bigger mountains, you couldn’t always be so sure. I remember being lost in Bolivia. Or let’s say that I grew increasingly uncertain whether I was still on the trail or not. That’s the point where you ought to sit down and drink some water and consult your maps and compass very carefully and calmly. I kept walking. At some point, it became a matter of rigging ropes to swing a heavy pack over a scary white watercourse. I ended up at a dropoff. Down far below, upper reaches of the Amazon basin stretched hazy green into the distance. Downhill did not at all seem like the way home.

You’ll just have to trust me that this has something to do with my new novel, but to go into it much would risk spoilers. I’ll just say that early on in the writing of Nightwoods, Luce and the children were meant to be fairly minor characters, but I kept finding myself coming back to them, wanting to know more about them until they beca! me the heart of the story. Some of my wanting to focus on the! m was su rely influenced by several cases of kids lost in the woods in areas where I’m typically jogging and mountain biking alone at least a hundred days a year. It’s part of my writing process, though I hardly ever think about work while I’m in the woods. But I do keep obsessive count of how many miles a day I go and how many words I write, lots of numbers on 3x5 notecards. All those days watching the micro changes of seasons can’t help but become part of the texture of what I write, and those lost kids, too.

At the age of twelve, an orphan named Will Cooper is given a horse, a key, and a map and is sent on a journey through the uncharted wilderness of the Cherokee Nation. Will is a bound boy, obliged to run a remote Indian trading post. As he fulfills his lonesome duty, Will finds a father in Bear, a Cherokee chief, and is adopted by him and his people, developing relationships that ultimately forge Will’s character. All the while, his love of Claire, the eni! gmatic and captivating charge of volatile and powerful Featherstone, will forever rule Will’s heart. In a voice filled with both humor and yearning, Will tells of a lifelong search for home, the hunger for fortune and adventure, the rebuilding of a trampled culture, and above all an enduring pursuit of passion.

Named ONE OF THE BEST BOOKS OF THE YEAR by
Los Angeles Times Book Review, Chicago Tribune,
and St. Louis Post-Dispatch

“A literary journey of magnitude . . . Thirteen Moons belongs to the ages.”
â€"Los Angeles Times

“A boisterous, confident novel that draws from the epic tradition: It tips its hat to Don Quixote as well as Twain and Melville, and it boldly sets out to capture a broad swatch of America’s story in the mid-nineteenth century.”
â€"The Boston Globe

“Frazier works on an epic scale, but his genius is in the detailsâ€"he has a scholar’s command of the physical realities of ea! rly America and a novelist’s gift for bringing them to life.! ”
< i>â€"Time

“A powerhouse second act . . . a brilliant success.”
â€"The Atlanta Journal-Constitution

“Compulsively readable . . . a fitting successor to Cold Mountain.”
â€"St. Louis Post-Dispatch

“Magical . . . fascinating and moving . . . You will find much to admire and savor in Thirteen Moons.”
â€"USA Today

“Genius.”
â€"Time

“Mesmerizing . . . a bountiful literary panorama . . . The history that Frazier hauntingly unwinds through Will is as melodic as it is melancholy, but the sublime love story is the narrative’s true heart.”
â€"Publishers Weekly (starred review)

“Brimming with vivid, adventurous incident.”
â€"Raleigh News & Observer

“Reading a Frazier novel is like listening to a fine symphony. . . . Take the time to savor Frazier’s work, to take in each thought, to relish the turn of phrase or the imagery of a craftsman.”
â€"The! Denver Post

“[Four stars] . . . Commanding . . . Frazier’s faithful will not be disappointed.”
â€"People

“Superbly entertaining.”
â€"Richmond Times-Dispatch

“Fascinating . . . vivid and alive.”
â€"Newsweek DVD

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