Saturday, November 19, 2011

Hugo Dark Blue By Hugo Boss For Men. Eau De Toilette Spray 4.2 Ounces

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LAPD Lt. Carter Shaw (Dylan McDermott) and his special undercover task force understand that to collar criminals, one must first get on their level. They also know that going undercover may require cutting ties with those who mean the most. Adrift, isolated and frequently faced with situations that strain the line between right and wrong, these officers know that all that matters is loyalty to each other and to the task at hand: bringing down the bad guys.
From Jerry Bruckheimer Television (the CSI Trilogy, Without a Trace, Cold Case) comes another edgy and atmospheric series about dedicated law enforcers operating in the shadows and leading double lives. Omari Hardwick, Logan Marshall-Green and Nicki Aycox also star. This 4-Disc, 10-Episode Season One Collection of! their edge-of-your-seat investigations will take you to the edge of darkness - and beyond.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

Set during the tense times of the LA riots, the film tells the story of Eldon Perry, veteran officer of the Los Angeles Police's special investigation squad as he tutors a new police officer who comes to learn the depth of corruption in his own police department.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 23-DEC-2003
Media Type: DVDThe Rodney King riots of April 1992 hang like a keg of dynamite over Dark Blue, a crackling tale of Los Angeles police corruption that gives Kurt Russell one of the best roles of his underrated career. Adapted by Training Day screenwriter David Ayer from a story by L.A. Confidential novelist James Ellroy, the plot finds Russell's rule-bending dete! ctive teamed with a promising young partner (Scott Speedman) w! hose eth ics have yet to be tainted. Their boss (Brendan Gleeson) is a lawless maverick, maneuvering the unwitting detectives into covering up a lucrative robbery scam, while L.A.P.D.'s Deputy Chief (Ving Rhames) campaigns to bring them all down. While adhering to familiar cop-thriller formula, director Ron Shelton (Bull Durham) escalates tension with forceful impact, drawing a climactic parallel between the King riots and the fallout from Russell's cynical behavior. It's a powerhouse combination, allowing Russell to find shades of complexity in a character who realizes, almost too late, that he's a devil in the hell of L.A. --Jeff ShannonStudio: Tcfhe/mgm Release Date: 01/04/2011 Rating: RDARK BLUE - Blu-Ray MovieThe Rodney King riots of April 1992 hang like a keg of dynamite over Dark Blue, a crackling tale of Los Angeles police corruption that gives Kurt Russell one of the best roles of his underrated career. Adapted by Training Day screen! writer David Ayer from a story by L.A. Confidential novelist James Ellroy, the plot finds Russell's rule-bending detective teamed with a promising young partner (Scott Speedman) whose ethics have yet to be tainted. Their boss (Brendan Gleeson) is a lawless maverick, maneuvering the unwitting detectives into covering up a lucrative robbery scam, while L.A.P.D.'s Deputy Chief (Ving Rhames) campaigns to bring them all down. While adhering to familiar cop-thriller formula, director Ron Shelton (Bull Durham) escalates tension with forceful impact, drawing a climactic parallel between the King riots and the fallout from Russell's cynical behavior. It's a powerhouse combination, allowing Russell to find shades of complexity in a character who realizes, almost too late, that he's a devil in the hell of L.A. --Jeff ShannonIntroduced in 1999. Fragrance notes: a fresh, invigorating scent of mosses and citrus. Recommended use: daytime.

Famous Stars and Straps Men's Family Thermal Tee, Black/White, Medium

GE 97499 GE240RS120-DIY LFL ProLine Electronic Program / Rapid Start Ballast for 2 - F40 or F34T12

Brothers of the Head

Best in Show

  • The tension is palpable, the excitement is mounting and the heady scent of competition is in the air as hundreds of eager contestants from across America prepare to take part in what is undoubtedly one of the greatest events of their lives -- the Mayflower Dog Show.Running Time: 89 min. System Requirements: Starring: Jennifer Coolidge, Christopher Guest, John Michael Higgins, Michael Hitchcock
Debut feature director Jay Berman (Christopher Guest), steers cast and crew through a typically tumultuous independent film Home for Purim, an intimate period drama about a Jewish family's turbulent reunion on the occasion of the dying matriarch's favorite holiday. When Internet-generated rumors begin circulating that three of Purim's stars -- faded luminary Marilyn Hack (Catherine O'Hara), journeyman actor and former hot dog pitchman Victor Allan Miller (Harry Shearer), and ingenue Callie Webb (Parker ! Posey) -- may be perpetrating Award-worthy performances, a rumble of excitement rattles the cast. Once "Hollywood Now" anchors Chuck Porter (Fred Willard) and Cindy Martin (Jane Lynch) pick up the buzz, Award fever infects the entire production. Unit publicist Corey Taft (John Michael Higgins), talent agent Morley Orfkin (Eugene Levy), and producer Whitney Taylor Brown (Jennifer Coolidge) all smell the sudden potential for a sleeper hit. As does Sunfish Classics President Martin Gibb (Ricky Gervais), who suggests some last-minute changes to the film that he feels will broaden the film's appeal. Meanwhile, Purim's screenwriters, Lane Iverson (Michael McKean) and Philip Koontz (Bob Balaban) grow steadily more horrified as they watch the first film adaptation of their work diverge from their original story. As the hopeful Purim team careens toward the end of production and the upcoming Award season, tenuous relationships and brittle dreams play out in unexpected ways...Christo! pher Guest (director of A Mighty Wind, Best in Show, and Waiting for Guffman) and his sparkling troupe of improvisational satirists return with a sardonic look at C-list (or perhaps D- or E-list) actors driven to the brink of madness by the possibility of winning an Academy Award. Marilyn Hack (the ever-brilliant Catherine O'Hara, Beetlejuice), a modestly talented character actress, hears of an Internet rumor that she might be nominated for the dubious movie she's currently making, Home for Purim. Soon buzz is flying about all the rest of the cast (which includes Harry Shearer and Parker Posey) and everyone starts clawing for as much attention as they can get while appearing modest and unambitious. Despite the movie's target being so familiar to them, For Your Consideration is not Guest & Co.'s best work--in an effort to give everyone in the huge cast face time, few of the characters gain any comic traction or have a particularly engaging storyline; the mockery stays on a fairly surface level. Nonethe! less, some of those surfaces are pretty funny: Fred Willard and Jane Lynch are devastating as a pair of predatory infotainment hosts, while Jennifer Coolidge (Legally Blonde) turns in a daffy and surreal performance. Throughout, the movie's anchor is O'Hara; the way her character is virtually crushed by the hype has a surprising richness and depth. She remains a cinematic treasure. --Bret FetzerA new comedy from the director of Waiting for Guffman, Best in Show and a Mighty Wind. Special Features includes Commentary by Co-Writers Christopher Guest and Eugene Levy - Over 30 minutes of Hilarious Bonus Material - Home for Purim Poster Gallery - Theatrical Trailer.A BLUE RIBBON LOOK AT DOG SHOW PARTICIPANTS AND THE POOCHES WHO LOVE THEM.Christopher Guest, the man behind Waiting for Guffman, turns his comic eye on another little world that takes itself a bit too seriously: the world of competitive dog shows. Best in Show follows a clutch of dog owners as they prepare and preen their dogs to win a national competition. They include the yuppie pair (Parker Posey and Michael Hitchcock) who fear they've traumatized their Weimaraner by having sex in front of him; a suburban husband and wife (Eugene Levy and Catherine O'Hara) with a terrier and a long history of previous lovers on the wife's part; the Southern owner of a bloodhound (Guest himself) with aspirations as a ventriloquist; and many more. Following the same "mockumentary" format ! of Spinal Tap and Guffman, Best in Show takes in some of the dog show officials, the manager of a nearby hotel that allows dogs to stay there, and the commentators of the competition (a particularly knockout comic turn by Fred Willard as an oafish announcer). The movie manages to paint an affectionate portrait of its quirky characters without ever losing sight of the ridiculousness of their obsessive world. Almost all of the scenes were created through improvisation. While lacking the overall focus of a written script, Best in Show captures hilarious and absurd aspects of human behavior that could never be written down. The movie's success is a testament to both the talent of the actors and Guest's discerning eye. --Bret Fetzer

Dawn of the Dead (Widescreen Unrated Director's Cut)

  • The Lost Tape - 15 minutes of terrifing footage
  • Special Report - Zombie Invasion
  • 12+ minutes of deleted scenes
  • Commentary with director Zack Snyder and producer Eric Newman
Packed with more blood, more gore, and more bone-chilling, jaw-dropping thrills, Dawn of the Dead Unrated Director's Cut is the version too terrifying to be shown in theaters! Starring Mekhi Phifer, Ving Rhames and Sarah Polley in an edgy, electrifying thrill-ride.

When a mysterious virus turns people into mindless, flesh-eating zombies, a handful of survivors wage a desperate, last-stand battle to stay alive…and human.Are you ready to get down with the sickness? Movie logic dictates that you shouldn't remake a classic, but Zack Snyder's Dawn of the Dead defies that logic and comes up a winner. You could argue that George A. Romero's 1978 original was sacred ground for hor! ror buffs, but it was a low-budget classic, and Snyder's action-packed upgrade benefits from the same manic pacing that energized Romero's continuing zombie saga. Romero's indictment of mega-mall commercialism is lost (it's arguably outmoded anyway), so Snyder and screenwriter James Gunn compensate with the same setting--in this case, a Milwaukee shopping mall under siege by cannibalistic zombies in the wake of a devastating viral outbreak--a well-chosen cast (led by Sarah Polley, Ving Rhames, Jake Weber, and Mekhi Phifer), some outrageously morbid humor, and a no-frills plot that keeps tension high and blood splattering by the bucketful. Horror buffs will catch plenty of tributes to Romero's film (including cameos by three of its cast members, including gore-makeup wizard Tom Savini), and shocking images are abundant enough to qualify this Dawn as an excellent zombie-flick double-feature with 28 Days Later, its de facto British counterpart. --Jeff S! hannon

Bride of the Wind

The Fast and the Furious: Tokyo Drift (Widescreen Edition)

"F" is for Fugitive (Kinsey Millhone Mysteries)

  • ISBN13: 9780312939045
  • Condition: New
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Forever altered by his experience in Furnace Penetentiary, Alex has done the impossible and escaped. But the battle for freedom is only just beginning. Charged with his superhuman abilities, Alex must uncover the last of Furnace’s secretsâ€"the truth about the man who built the prison, the man known as Alfred Furnace. And to do that he must stop running and finally confront his greatest fears.

When Kinsey Millhone first arrives in Floral Beach, California, it's hard for her to picture the idyllic coastal town as the setting of a brutal murder. Seventeen years ago, the body of Jean Timberlake--a troubled teen who had a reputation with the boys--was found on the beach.! Her boyfriend Bailey Fowler was convicted of her murder and imprisoned, but he escaped.

After all this time, Bailey's finally been captured. Believing in his son's innocence, Bailey's father wants Kinsey to find Jean's real killer. But most of the residents in this tight-knit community are convinced Bailey strangled Jean. So why are they so reluctant to answer Kinsey's questions? If there's one thing Kinsey's got plenty of it's persistence. And that's exactly what it's going to take to crack the lid on this case.

As Kinsey gets closer to solving Jean's murder, the more dirty little secrets she uncovers in a town where everyone has something to hide--and a killer will kill again to keep the past buried...

Adjustment Bureau Poster - FT Promo Flyer - 2011 Movie Matt Damon - 11 x 17

  • Promo Flyer to advertise the movie The Adjustment Bureau
  • Adjustment Bureau Movie Promo Flyer
  • Size 11 x 17 inches approx (28 x 43 cm)
  • Window display/ Telephone Pole Flyer sized Poster
"Adjustment Team" is a science fiction short story by Philip K. Dick. It was first published in Orbit Science Fiction, Sept-Oct 1954, No.4.

"SOMETHING WENT WRONG ...AND ED FLETCHER GOT MIXED UP IN THE BIGGEST THING IN HIS LIFE." -- Orbit introduction to "Adjustment Team".

Sector T137 is scheduled for adjustment and a Clerk is supervising a canine Summoner to ensure real estate salesman Ed Fletcher is inside Sector T137 during the process. An 8:15 bark to summon a Friend With A Car is needed. Unfortunately the bark is a minute late, bringing an Insurance Salesman causing Fletcher to leave for work late. Arriving at Sector T137 after it's been de-energized, Fletcher ent! ers a terrifying gray ash world. Escaping white-robed men he flees across the street back to the everday energized world outside Sector T137 fearing he's had a psychotic episode.


On Friday, March 11 2011 Universal Pictures will release the movie "The Adjustment Bureau" starring Matt Damon and Emily Blunt. "The Adjustment Bureau" is loosely based on the Philip K. Dick short story titled "Adjustment Team".
Matt Damon plays David Norris, a former Fordham University basketball player and charismatic United States Congressman who seems destined for national political stardom. He meets a beautiful ballet dancer named Elise Sellas, played by Blunt, only to find that strange circumstances keep them from becoming romantically involved. Norris discovers forces are at work to keep them apart, and he peels the layers to find out why."Adjustment Team" is a science fiction short story by Philip K. Dick. It was first published in Orbit Science Fiction, Sept-Oct 1954,! No.4.

"SOMETHING WENT WRONG ...AND ED FLETCHER GOT MIX! ED UP IN THE BIGGEST THING IN HIS LIFE." -- Orbit introduction to "Adjustment Team".

Sector T137 is scheduled for adjustment and a Clerk is supervising a canine Summoner to ensure real estate salesman Ed Fletcher is inside Sector T137 during the process. An 8:15 bark to summon a Friend With A Car is needed. Unfortunately the bark is a minute late, bringing an Insurance Salesman causing Fletcher to leave for work late. Arriving at Sector T137 after it's been de-energized, Fletcher enters a terrifying gray ash world. Escaping white-robed men he flees across the street back to the everday energized world outside Sector T137 fearing he's had a psychotic episode.


On Friday, March 11 2011 Universal Pictures will release the movie "The Adjustment Bureau" starring Matt Damon and Emily Blunt. "The Adjustment Bureau" is loosely based on the Philip K. Dick short story titled "Adjustment Team".
Matt Damon plays David Norris, a former Fordham University basketball player and! charismatic United States Congressman who seems destined for national political stardom. He meets a beautiful ballet dancer named Elise Sellas, played by Blunt, only to find that strange circumstances keep them from becoming romantically involved. Norris discovers forces are at work to keep them apart, and he peels the layers to find out why.David Norris (Matt Damon) glimpses the future Fate has planned for him...and chooses to fight for his own destiny. Battling the powerful Adjustment Bureau across, under and through the streets of New York, he risks his destined greatness to be with the only woman he's ever loved (Emily Blunt).Matt Damon is doing things a lot of top movie stars are sometimes scared to do: spreading his image thin among a range of roles, directors, and material. His forays away from the huge successes of, say, the Bourne movies or the Ocean's series which have highlighted his fully realized strengths as a buff action hero who can also slip ! effortlessly into natural comic charm aren't exactly risky. Hi! s image as a leading-man movie star is pretty much sealed, but in movies like The Informant, Invictus, Hereafter, True Grit, and others, he's stretching some different muscles that take him closer to character-actor territory. That has largely been a good thing for his fans, if not for his box-office stats. The Adjustment Bureau takes him somewhere in between--he's in leading-man territory with the Damon charisma in full bore and giving his all to a story that needs the toned actorly muscle he provides.

Based on a novelette by science-fiction icon Philip K. Dick, The Adjustment Bureau exposes a cadre of people who are either superhuman or nonhumans and control the world by magically influencing the fate of every single person in it. Damon plays David Norris, an aspiring politician who rose from working-class roots in Brooklyn (a not-so-closeted skeleton that sometimes comes back to haunt him) to wealth and the likely promise of high offi! ce. Unfortunately, David takes some liberties with his fate that don't correspond with the narrative laid out by "the Chairman," the entity in charge of the Adjustment Bureau autocrats whose matching fedoras are none-too-subtle symbols for wings. The movie evades any mention of religion, but those hats and references to the Chairman are huge winks. Emily Blunt is the equally appealing presence who screws up the Chairman's plan in concert with Norris. They fall for each other hard again and again, constantly thwarting and confounding the bureau's best-laid adjusting tricks at every turn. Though it is often simplistic in its plot contrivances, the movie is nifty, clever, nimbly paced, and filled with ingenious special effects. Especially impressive is the recurring motif of doors that are virtual wormholes--a closet that leads to the middle of Yankee stadium, an Escher-like maze of conference rooms that constantly double back on themselves (shades of the dizzying door sequenc! e in Monsters, Inc.). Another cool visual prop are the ! plain bo und books bureau functionaries carry that are filled with intricate, animated schematic diagrams that chart the course of a life and how it interacts with others. John Slattery, Anthony Mackie, and Terence Stamp round out the uniformly excellent cast headed by Damon and Blunt, and with the slick production design and inventive effects, the glossy performances go a long way in adjusting up any dramatic shortcomings The Adjustment Bureau may have improperly calibrated. --Ted FryAdjustment Bureau Movie Promo Flyer