Wednesday, January 11, 2012

Enemy of the State [Blu-ray]

  • A former NSA operative aids the innocent victim of a politically motivated assassination cover-up. Directed by Tony Scott. Format: BLU-RAY DISC Genre: DRAMA Rating: R Age: 786936724936 UPC: 786936724936 Manufacturer No: 05346400
Will Smith and Gene Hackman trigger rapid-fire suspense in ENEMY OF THE STATE on Blu-ray’s high definition disc. The star-studded adventure Rolling Stone calls "a dynamite thriller" heats up as this volatile new format explodes onto the screen. After a Washington, D.C. attorney is given â€" without his knowledge â€" a video tying a top National Security Agency official to a political murder, he finds himself targeted by a relentless team of lethal NSA surveillance operatives. Watch as nonstop action meets cutting-edge technology in astounding 1080p, and hear the echo of every footstep with 5.1 48 kHz, 24-bit uncompressed audio. Surrender your senses to the awe! some power of Blu-rayâ„¢ High Definition!Robert Clayton Dean (Will Smith) is a lawyer with a wife and family whose happily normal life is turned upside down after a chance meeting with a college buddy (Jason Lee) at a lingerie shop. Unbeknownst to the lawyer, he's just been burdened with a videotape of a congressman's assassination. Hot on the tail of this tape is a ruthless group of National Security Agents commanded by a belligerently ambitious fed named Reynolds (Jon Voight). Using surveillance from satellites, bugs, and other sophisticated snooping devices, the NSA infiltrates every facet of Dean's existence, tracing each physical and digital footprint he leaves. Driven by acute paranoia, Dean enlists the help of a clandestine former NSA operative named Brill (Gene Hackman), and Enemy of the State kicks into high-intensity hyperdrive.

Teaming up once again with producer Jerry Bruckheimer, Top Gun director Tony Scott demonstrates his glossy style with c! lever cinematography and breakneck pacing. Will Smith proves t! hat ther e's more to his success than a brash sense of humor, giving a versatile performance that plausibly illustrates a man cracking under the strain of paranoid turmoil. Hackman steals the show by essentially reprising his role from The Conversation--just imagine his memorable character Harry Caul some 20 years later. Most of all, the film's depiction of high-tech surveillance is highly convincing and dramatically compelling, making this a cautionary tale with more substance than you'd normally expect from a Scott-Bruckheimer action extravaganza. --Jeremy StoreyRobert Clayton Dean (Will Smith) is a lawyer with a wife and family whose happily normal life is turned upside down after a chance meeting with a college buddy (Jason Lee) at a lingerie shop. Unbeknownst to the lawyer, he's just been burdened with a videotape of a congressman's assassination. Hot on the tail of this tape is a ruthless group of National Security Agents commanded by a belligerently ambitious fed! named Reynolds (Jon Voight). Using surveillance from satellites, bugs, and other sophisticated snooping devices, the NSA infiltrates every facet of Dean's existence, tracing each physical and digital footprint he leaves. Driven by acute paranoia, Dean enlists the help of a clandestine former NSA operative named Brill (Gene Hackman), and Enemy of the State kicks into high-intensity hyperdrive.

Teaming up once again with producer Jerry Bruckheimer, Top Gun director Tony Scott demonstrates his glossy style with clever cinematography and breakneck pacing. Will Smith proves that there's more to his success than a brash sense of humor, giving a versatile performance that plausibly illustrates a man cracking under the strain of paranoid turmoil. Hackman steals the show by essentially reprising his role from The Conversation--just imagine his memorable character Harry Caul some 20 years later. Most of all, the film's depiction of high-tech surveilla! nce is highly convincing and dramatically compelling, making t! his a ca utionary tale with more substance than you'd normally expect from a Scott-Bruckheimer action extravaganza. --Jeremy Storey

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Saturday, January 7, 2012

Millennium Mom: Tips to Help You Go from a Working Woman to a Working Mom

  • ISBN13: 9781578603367
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Dani Levy's controversial and highly entertaining contemporary farce GO FOR ZUCKER, is one of the first German-Jewish comedy to come out of Germany since World War II. The cultural phenomenon dominated the 2005 German Film Prizes, picking up six Lolas including best picture, best actor (for Henry Hübchen), best direction and best screenplay before hitting theaters in the U.S.

GO FOR ZUCKER stars Henry Hübchen and Udo Samel as two brothers-- Jaeckie Zucker, a hard-living, hustling former East German celebrity sportscaster (Hübchen), and his quasi-Orthodox brother Samuel from the West (Samel). Jaeckie is up to his ears in debt again--facing jail, divorce and general ruin--when word comes that h! is mother has died, leaving an inheritance. But according to his mother's will, before he can cash in Zucker first must reconcile with his long-estranged brother, who is arriving the next day, family in tow, expecting to sit shiva for seven days. Can the secular Zucker and his non-Jewish wife pass as observant? And will he be able to sneak away to compete in a high-stakes pool tournament? The film also stars leading German actress Hannelore Elsner as Zucker's hard-pressed wife and the Warsaw-based Yiddish diva Golda Tencer as the religious brother's extravagantly pragmatic wife.

Originally slated for television, the film was almost never made because of anxiety over its unapologetically Jewish humor, political incorrectness, and somewhat indelicate plot. Mixing slapstick humor with a jaundiced eye for sharply drawn social satire, the film has sparked animated debate around the globe. Not only has its unique pedigree as a German-Jewish comedy and its portrayal of a c! omically dysfunctional Jewish family raised eyebrows, but its ! story ab out two brothers from opposite sides of the Berlin Wall has proved to be a powerful metaphor for the cultural and social estrangement that Jews and Germans (East and West) have been grappling with since the Holocaust.
A few years ago Joanna Zucker, a brand manager at Proctor & Gamble, faced a common dilemma. Her career was moving along nicely when she got the wonderful news that she was going to have a baby. She planned to return to work after giving birth, but things got more complicated than she'd anticipated. Along with the needs and demands of her job, she had a family with just as many needs and demands. Zucker rose to the challenge with such success that her friends kept asking her, "How do you do it?" Millennium Mom answers that question. Zucker devised a system of "Cardinal Principles" that address the partnership with one's spouse, the type of career desired, the goals set for both family and career, and the complex emotions that come from being a working! mom. She covers household management, travel, balancing work schedules with time at home, as well as shopping, cleaning, cooking, and handling special occasions.
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The Baby-Sitters Club #3: The Truth About Stacey

  • ISBN13: 9780545174770
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
The first of the new Collector's Club Editions features a new logo, bright new cover, and fill-in pages to personalize as Kristy comes up with the idea for the Baby-sitter's Club with friends Claudia, Stacey, and Mary Anne. It all began with a great idea ... and the inspiring original story of the Baby-sitters Club is back! Kristy Thomas's brilliant business plan gets off to a great start with the help of Claudia Kishi (vice-president), Mary Anne Spier (secretary), and Stacey McGill (treasurer).

Amazon Exclusive Inteview with Author Ann M. Martin

Q: It's been a decade since the last Baby-sitters Club books came out, and 24 years since the first book was published. What was it like to come back to the BSC after so many years away?

Martin: I had a great time re-visiting the characters. It was fun to explore their lives in the prequel, “"The Summer Before," and to figure out what led the girls to form The Baby-sitters Club, something that would eventually change their lives. It was like a reunion with friends--friends who haven’t changed a bit.

Q: Kristy, Claudia, Mary Anne, and Stacey are very different characters, which is in part why the series was and is still so popular. Every reader can relate to at least one of the characters. So, we have to ask you--which character are you most like?

Martin: I am most like Mary Anne who is the shy and quiet one. Like me, Mary An! ne enjoys more solitary pursuits such as reading and needlewor! k. My fa vorite character, however, is Kristy. I think she's my alter ego.

Q: Were you allowed to baby-sit when you were twelve? If so, were they any funny or awful stories you'd like to share?

Martin: Yes, I did a lot of baby-sitting when I was twelve. One of the worst and also funniest things that ever happened was when I was baby-sitting for our neighbors and the kids wanted to wash their parents' car. They started the job with much enthusiasm--using Brillo pads.

Q: More than 200 BSC books were published in the eighties and nineties. Are there any that you are particularly fond of and why?

Martin: My favorite Baby-sitters Club book is "Kristy's Great Idea," which is the first book and sets the series in motion. I also like the more serious books such as "Claudia and the Sad Good-bye," which deals with the death of Claudia’s grandmother. This book was written sh! ortly after my own grandmother died. My other favorite BSC books include “Kristy and the Secret of Susan,” in which the members of the BSC baby-sit for a child with autism, and "Jessi's Secret Language" in which the girls learn American Sign Language in order to communicate with a sitting charge with profound hearing impairment.

Q: Why do you think that the series is so well-loved and has endured over so many years?

Martin: I think the characters in the BSC books are easily relatable. The books deal with timeless topics including friendship, family, and school. Also, the books tackle serious issues including racism, bullying, kids with disabilities (physical and mental), and death of a loved one. These issues were relevant to kids in the 1980s and 1990s, and are still relevant to kids today. In addition to being relatable, these are characters readers can aspire to. The kids run a business--in this case, a baby! -sitting business. They are entrepreneurial, independent, crea! tive, an d confident. And at the heart of the series is the friendship--the "glue" that binds these characters. Sure, they have fights, but they're loyal and they support one another. I think a lot of us--even adults--can relate to that.

Q: "The Summer Before" takes place during the summer before the girls enter the seventh grade--where suddenly there's a ton of pressure to fit in. The months leading up to it can be filled with anxiety, excitement, and anticipation. Do you remember how you spent the summer before seventh grade?

Martin: I was nervous that summer because in the fall I would be going to a new school â€" the junior high (this was in the time before middle schools). Even the words "junior high" seemed terribly grown-up. My friends and I would be attending school with eighth-graders, who were one step away from high school. I spent that summer reading, going to the community pool, taking a family trip to Cape May! , New Jersey, doing some baby-sitting, and also recovering from surgery. But the knowledge that I would soon be in junior high school colored every day and every activity and did lend the summer an air of both anxiety and anticipation.

Q: Despite the fun the girls have together in "The Summer Before," they're all dealing with pretty tough problemsâ€"moving away, an absentee father, a first crush. How did you choose the issues you wanted to focus on?

Martin:  One of my favorite things about writing a series was that the characters themselves generated plot ideas for later books. One of the themes that developed as the series progressed was that of Kristy's relationship with her father. It was an idea I enjoyed exploring, and when I had the opportunity to write the prequel I realized that this summer would be a charged time for Kristy, and that I could introduce the issues she had with her father here; then they could! unfold in the later books. The same applied to Stacey. Her re! asons fo r moving to Stoneybrook had been revealed in later books, but I realized that during this particular summer the reader could actually watch the events take place. The other issues â€" a first crush, wanting more independence yet still feeling like a kid--are themes that I felt would resonate with most "tween" readers.

Q: Even though the books have been out of print for ten years there are still some very devoted fans. Surely you must have received a ton of letters about the series over the years. Are there any that stick out in your mind?

Martin: The most memorable are stories of girls who have written to me and told me that I’ve made an impact on their lives, that The Baby-sitters Club books have turned them into readers. Some have also said that the BSC books made them aspire to become writers. I’ve also heard from a lot of the original fans who grew up to become teachers, librarians, editors, journalists, entre! preneurs, etc. To know that this series inspired a generation of readers and writers is very humbling.

Q: There’s been a lot of speculation in the blogosphere about where Claudia, Kristy, Mary Ann, and Stacey would be now, in 2010, had they grown up. Do you have any thoughts on what path each would have taken?

Martin:  I understand the fascination of the older BSC fans who would like to know what happened with the characters when they got older. It’s thrilling to realize that after all these years the fans remain passionate about the books and the characters in The Baby-sitters Club. I can see Kristy running a business--I can also see her being in politics. I think Mary Anne became a teacher. I imagine Stacey went into fashion--not as a designer, but maybe on the business side. And Claudia became an artist. I think fans can fill in for the rest of the characters!
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Friday, January 6, 2012

Dogtown & Z-Boys Film - Extreme Skateboard 11x17 Poster

  • 11x17 INCHES
The Dogtown and Z-Boys skateboarding video chronicles the overnight impact of the Zephyr team on skateboarding in the early 1970's and the eventual collapse of the team later in the same decade. This video is directed and co-written by skateboard legend-turned-filmmaker Stacy Peralta and narrated by actor Sean Penn. --This text refers to an out of print or unavailable edition of this title.In the early 1970s, a group of young surfers from a tough neighborhood south of Santa Monica took up skateboards and offhandedly changed the world. At least it appears so after watching Dogtown and Z-Boys, a documentary about how twelve "Z-Boys" (including one girl) resuscitated a dead sport and created a lifestyle that spread infectiously to become a worldwide counterculture phenomenon, namely high-flying "vert" (i.e. vertical) skateboarding and punk rock abandon. Director Stacy Peralta! , one of the original Z-Boys, and Craig Steyck, the photographer whose publicity first made them famous, would have you believe that with empty pools as their springboard, the clan single-handedly carved a niche that grew into what is now referred to as "extreme sports" (snowboarding seems particularly implicated). Degrees of accuracy aside, the hoard of original footage Peralta and Steyck have access to makes for an engaging portrait of "accidental revolutionaries" whose mythology as expressed by themselves (all but one of the original crew give extensive interviews) and those they influenced (including Henry Rollins, Jeff Ament of Pearl Jam, and Sean Penn, who narrates) is far more entertaining than any evenhanded version could ever hope to be. --Fionn MeadeIn the early 1970s, the sport of skateboarding had so waned from its popularity in the 1960s that it was virtually non-existent. In the Dogtown area of west Los Angeles, a group of young surfers known as the Zep! hyr Team (Z-Boys) was experimenting with new and radical moves! and sty les in the water which they translated to the street. When competition skateboarding returned in 1975, the Z-Boys turned the skating world on its head. . Dogtown The Legend of the Z-Boys is a truly fascinating case study of just how an underground sport ascended on the world. These are the stories and images of a time that not only inspired a generation but changed the face of sport forever. The Legend of the Z-Boys has been described as "The Dogtown text book" and an insightful companion piece to the movie: "DogTown and Z-Boys". . Spanning 1975 â€" 1985, the first section of the 240 page book includes the best of the "DogTown" articles written by C.R. Stecyk III as they originally appeared in SkateBoarder Magazine. The second half compiles 100’s of never before seen skate images from the archive of Glen E. Friedman - many of which appear in the movie. Both Stecyk and Friedman acted as executive producers and advisors for the award winning film, Dogtown and Z-Boys to be re! leased nationwide simultaneously by Sony Picture Classics in April 2002.In the early 1970s, a group of young surfers from a tough neighborhood south of Santa Monica took up skateboards and offhandedly changed the world. At least it appears so after watching Dogtown and Z-Boys, a documentary about how twelve "Z-Boys" (including one girl) resuscitated a dead sport and created a lifestyle that spread infectiously to become a worldwide counterculture phenomenon, namely high-flying "vert" (i.e. vertical) skateboarding and punk rock abandon. Director Stacy Peralta, one of the original Z-Boys, and Craig Steyck, the photographer whose publicity first made them famous, would have you believe that with empty pools as their springboard, the clan single-handedly carved a niche that grew into what is now referred to as "extreme sports" (snowboarding seems particularly implicated). Degrees of accuracy aside, the hoard of original footage Peralta and Steyck have access to makes for! an engaging portrait of "accidental revolutionaries" whose my! thology as expressed by themselves (all but one of the original crew give extensive interviews) and those they influenced (including Henry Rollins, Jeff Ament of Pearl Jam, and Sean Penn, who narrates) is far more entertaining than any evenhanded version could ever hope to be. --Fionn Meade
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Aliens vs Predator

  • As the Marine, you'll experience a claustrophobic and terrifying experience where light is your friend, but there's never enough; however, the United States Marine Corps are humanity's last line of defense, and as such they are armed to the teeth with the very latest in high explosive and automatic weaponry
  • As the Predator, you will stalk from the shadows and from above, passing athletically through the treetops to ambush your victims; although equipped with an array of powerful, exotic weapons and tracking equipment, honor ultimately dictates that you must get in close and take your trophies face to face
  • As the most deadly species in the universe, the Alien offers you the chance to play as the very stuff of nightmares, the monster in the dark swarming forward with countless others, jaws like a steel trap and claws like blades
  • Play all sides off against each other in a series o! f unique 3-way online modes and go tooth-to-claw-to-pulse rifle in the reinvention of one of multiplayer gaming's defining moments
"It may be our planet, but it’s their war!" The deadliest creatures from the scariest sci-fi movies ever made face off for the first time on film. The incredible adventure begins when the discovery of an ancient pyramid buried in Antarctica sends a team of scientists and adventurers to the frozen continent. There, they make an even more terrifying discovery: two alien races engaged in the ultimate battle. Whoever wins...we lose.In delivering PG-13-rated excitement, Alien vs. Predator is an acceptably average science-fiction action thriller with some noteworthy highlights, even if it squanders its opportunity to intelligently combine two popular and R-rated franchises. Rabid fans can justifiably ask "Is that all there is?" after a decade of development hell and eager anticipation, but we're compensated by reasonably logical conn! ections to the Alien legacy and the still-kicking Pr! edator franchise (which hinted at AVP rivalry at the end of Predator 2); some cleverly claustrophobic sets, tense atmosphere and impressive digital effects; and a climactic AVP smackdown that's not half bad. This disposable junk should've been better, but nobody who's seen Mortal Kombat or Resident Evil should be surprised by writer-director Paul W.S. Anderson's lack of imagination. As a brisk, 90-minute exercise in generic thrills, however, Anderson's work is occasionally impressive... right up to his shameless opening for yet another sequel. --Jeff ShannonSega Aliens vs. Predator 68042 299Aliens vs Predator is an entirely new title for PC and high-definition consoles from acclaimed British developer Rebellion, the team behind the 1999 original PC gaming classic. Bringing the legendary war between two of science-fiction’s most popular characters to FPS fans, AvP delivers three outstanding single player campaigns and provides untold ho! urs of unique 3-way multiplayer gaming. Experience distinctly new and thrilling first person gameplay as you survive, hunt and prey in the deadly jungles and swamps surrounding the damned colony of Freya’s Prospect.

Play as an Alien
Play as an Alien
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Play as a Marine
Play as a Marine
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Alien Battles a Predator
Alien Battles a Predator
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Play as the Predator
Play as the Predator
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Three Breeds of Warrior. Three Brutal Campaigns. One Relentless Battleground.
In deep space, on the frontier of human colonization, an ancient pyramid is discovered. When archaeologists probe the pyramid’s secrets they unwittingly trigger an apocalyptic confrontation between vengeful Predators, menacing Aliens, and heavily-armed Colonial Marines. Welcome to A! liens versus Predator, a stunningly-detailed FPS that seamlessly blends the action and intensity of one of the most popular movie franchises of all time. Whether you stalk your prey as a Predator, evolve into the perfect killing machine as an Alien, or use superior firepower as a Colonial Marine, one thing is certain. This will be a battle for the ages.

Features:

  • Master the skills of three deadly species: As a Predator, use your cloaking abilities and multiple vision modes to stalk your enemies while remaining hidden. Then rip out their spines with your wrist blades, or snipe them from afar with your plasma caster. As an Alien, use your finely-honed killer instincts to become the most lethal creature in the galaxy. Traverse any surface at blinding speeds, emerging from the dark to tear off your victims’ heads or impale them with your dagger-sharp tail. As a Colonial Marine, use your diverse arsenal and o! verwhelming firepower to hold the line against seemingly impos! sible od ds.
  • Discover three unique single-player experiences: Each of the three species has its own unique storyline that intertwines with the others to create a compelling cinematic narrative, inspired by one of the most popular movie franchises of all time.
  • Plunge yourself into intense online multiplayer combat: Take on hordes of online opponents in adrenaline-fueled multiplayer battles. Stalk your prey silently as a Predator, become a nightmarish killing machine as an Alien, or lay down a barrage of lethal fire as a battle-hardened Colonial Marine. Take advantage of each faction’s unique abilities to rise to the top of the leaderboards and become the most dominant species in the universe.
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Saturday, December 31, 2011

Factory-Reconditioned DEWALT D26441KR Heavy-Duty 2.4 Amp 1/4 Sheet Palm Grip Sander with Cloth Dust Bag

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Above All Forearm Forklift Lifting and Moving Straps, Orange

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Friday, December 30, 2011

Alli Weight-Loss Aid, Orlistat 60mg Capsules, 120-Count Refill Pack

  • Only FDA approved over-the- counter weight-loss aid
  • Blocks absorption of 25% of consumed fat
  • Undigested fat is excreted from the body instead of being turned into fat
  • Alli users typically lose 50% more weight than people who use diet alone
In 1964, a brash new pro boxer, fresh from his olympic gold medal victory, explodes on to the scene, Cassius Clay. Bold and outspoken, he cuts an entirely new image for African American's in sport with his proud public self confidence with his unapologetic belief that he is the greatest boxer of all time. To his credit, he sets out to prove that with his highly agile and forceful style soon making him a formidable boxer who soon claims the heavyweight championship. His personal life is no less noteworthy with his allegiance to the Nation of Islam, his friendship with the controversial Malcolm X and his abandonment of his slave name! in favour of Muhammad Ali stirring up controversy. Yet, at the top of his game, both Ali's personal and professional lives face the ultimate test with the military draft rules are changed, making him eligible for military induction during the Vietnam War. Despite the fact that he could easily agree to a sweetheart deal that would have meant an easy tour of duty for himself, Ali refuses to submit on principle to cooperate in an unjust war for a racist nation that treated his people so poorly. The cost of that stand is high as he finds himself unable to legally box in his own country while his case is contested in court. What follows is a battle for a man who would sacrifice so much for what he believes in and a comeback that would cement his legend as one of the great sports figures of all time.Ali is a rush of charm, violence, and well-crafted mythmaking sure to enthrall. From the unforgettable surge of the opening--a 10-minute montage of sheer brilliance where form! ative scenes from the early life of Cassius Clay float along o! n the ra pture of a live performance by Sam Cooke in a Harlem nightclub--through to Muhammad Ali's departure for Zaire to fight George Foreman, Michael Mann's homage is mostly crisp and fleet-footed. As Clay/Ali, Will Smith acquits himself marvelously due in large part to his uncanny re-creation of Ali's most famous weapon, his mesmerizing voice. Indeed, the best scenes throughout showcase Ali's verbal rather than pugilistic sparring; whether with his entourage (notably Jamie Foxx), Howard Cosell (Jon Voight), or Don King (Mykelti Williamson), Michael Mann's Ali has the same authoritative wit and ability to surprise that so disarmed the public. The news conferences and behind-the-scenes banter are exquisitely re-created; not so Ali's flaws. Mann's attempt to depict Ali's womanizing, his dubious affiliation with the Nation of Islam, and his insatiable need for the spotlight seems halfhearted and laborious in comparison to the film's enlivened adoration of its subject. As the sluggish ! second half of the film betrays, Ali is at its impressionistic best when it's in awe rather than when it explains. --Fionn Meade alli is more than just a pill. It's an innovative weight loss program that works with you, not for you. alli can help you lose 50% more weight than dieting alone, but you have to do your part by changing the way you eat and live to see results. Is the hard work worth it? Yes. With alli you can achieve gradual and healthy weight loss. If you do your part, alli can teach you smart eating and activity habits you can follow for a lifetime.