Red Road Movie Poster (11 x 17 Inches - 28cm x 44cm) (2006) Style A -(Ju-wan On)(Ho-jung Kim)(Ji-young Ok)(Min-ji Park)(Ji-woo Jang)

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My Sister Bongsoon is an autobiographical novel. Through theeyes of Jiang, a precocious five-year old girl, the author relates how Bongsoon, a live-in maid who was uneducated, unloved but innocent and hard-working like most of the maids of those days, views the emerging new world of Korean reality. There is anguish, insight, but also immense painin this novel.Gong wrote: " I decided to picture Bongsoon and many other maids like her who existed in the early stages ! of economic growth and who were simply ignored amid the hctic development of that era. My Sisster Bongsoon is my personal reflection as a comfortable middle-class person on all those women who we just neglected!"This dissertation consists of four sections which address various aspects of assessing exposure to nanoparticles and monitoring methods. The first section examines the appropriateness of different exposure metrics using multiple-metric measurements that were carried out in multiple locations of workplaces generating incidental nanoparticles to construct aerosol maps. The concentration peaks of SA and fine particle number agreed more with locations of nanoparticle sources and showed larger concentration ratios between work areas than mass concentration. This indicates that SA and fine particle number concentrations are more appropriate for nanoparticle than mass. The second section examines the ability of various exposure metrics to distinguish between exposure categ! ories. Multiple-metric measurements were obtained in high and ! low expo sure zones in workplaces generating incidental nanoparticles. SA and fine particle concentrations showed higher 'contrast' in mean concentrations and larger concentration ratios between zones than mass concentrations. The results suggest that SA and fine particle number concentrations are more efficient than mass for classifying worker exposures into categories. The results suggest that the choice of appropriate exposure metrics is critical for classifying workers into similarly exposed groups. In the third section, SA concentrations were estimated in two ways based on number and/or mass concentrations using aerosol instruments and compared with SA directly measured using a diffusion charger. Estimated SA was derived from particle size distribution by number and was calculated using a simple inversion method. Both estimated SA overestimated measured SA but were correlated with measured SA. The results suggest that the estimated SA may a good predictor of measured SA. In the ! fourth section, three SA estimating methods were applied and evaluated based on number and/or mass concentrations measured by readily available instruments. Estimated SA was derived from particle size distribution by number and was calculated using two different inversion procedures. The estimated SA was compared with the reference SA obtained from the scanning mobility particle sizer and optical particle counter. All estimated SA had qualitatively similar trends to the reference. The results suggest that all estimation methods may be used as an interim solution for the purpose of classifying exposure zones within a workplace.Studio: Virgil Films And Entertai Release Date: 01/26/2010 Run time: 126 minutesFonte: Wikipedia. Pagine: 24. Capitoli: Lee Chung-Yong, Park Ji-Sung, Lee Young-Pyo, Ahn Jung-Hwan, Cha Bum-Kun, Hong Myung-Bo, Lee Ho, Seol Ki-Hyeon, Song Chong-Gug, Hwang Sun-Hong, Yoo Sang-Chul, Lee Jung-Soo, Shin Tae-Yong, Suk Hyun-Jun, Choi Soon-Ho, Kim Joo-Sung, Kim! Tae-Young, Jung Sung-Ryong, Tadanari Lee, Ki Sung-Yueng, Lee ! Woon-Jae , Lee Dong-Gook, Park Chu-Young, Ha Seok-Ju, Cha Du-Ri, Huh Jung-Moo, Lee Chun-Soo, Lee Keun-Ho, Seo Jung-Won, Cho Kwang-Rae, Denis Laktionov, Hwang Jae-Won, Kim Jung-Woo, Cho Yong-Hyung, Kim Jong-Boo, Cho Won-Hee, Namgung Do, Kim Young-Kwang, Kim Nam-Il, Lee Ki-Hyung, Kim Yong-Dae, Shin Hwa-Yong, Yoon Jung-Hwan, Kim Hyun-Soo, Hwangbo Kwan, Kim Dong-Jin, Oh Beom-Seok, Park Chang-Sun, Ji Dong-Won, Kim Bo-Kyung, Choi Tae-Uk, Kim Do-Heon, Yeom Ki-Hun, Kim Chi-Woo, Choi Yong-Soo, Kang Min-Soo, Lee Eul-Yong, Choi Sung-Yong, Koo Ja-Cheol, Cho Jae-Jin, Roh Sang-Rae, Kim Byung-Ji, Lee Min-Sung, Kim Do-Hoon, Noh Jung-Yoon, Park Joo-Ho, Lee Gang-Jin, Song Jin-Hyung, Lee Seung-Yeoul, Kim Jin-Kyu, Kim Jin-Hyeon, Kim Jae-Sung, Kim Hyung-Il, Kim Jung-Nam, Kim Sang-Sik, Kwak Tae-Hwi, Cho Young-Cheol, Chung Kyung-Ho, Park Joo-Sung, Hyun Young-Min, Choi Moon-Sik, Kim Do-Keun, Park Dong-Hyuk, Choi Jin-Cheul, Cho Dong-Keon, Jung Jo-Gook, Cho Byung-Kuk, Cho Jin-Ho, Kim Kun-Hoan, Kim Pyung-Seok,! Kim Young-Chul, Baek Ji-Hoon, Lee Sang-Yoon, Son Heung-Min, Seo Dong-Myung, Ko Jong-Soo, Park Kang-Jo, Lee Lim-Saeng, Choi Yong-Il, Kim Pan-Keun, Ko Jeong-Woon, Han Dong-Won, Lee Young-Jin, Shin Hyung-Min, Choi Dae-Shik, Cho Young-Jeung, Choi Eun-Sung, Park Chul-Woo, Kim Jin-Yong, Choi In-Young, Kim Seung-Yong, Gu Sang-Bum, Jang Dae-Il, Byun Byung-Joo, Cho Jun-Ho, Kim Young-Gwon, Shin Hong-Gi, Park Jung-Bae, Chung Jong-Son, Lee Sang-Hun, Cho Min-Kook, Jeong Gi-Dong, Lee Tae-Ho, Cho Byung-Deuk, Seo Yong-Duk, Chung Yong-Hwan, Jeong Dong-Ho, Jang Hyung-Seok, Lee Heung-Sil, Chung Jong-Soo, An Ik-Soo, Kim Byung-Suk, Choi Kang-Hee, Park Kyung-Hoon, Kim Pung-Ju, ...This digital document is an article from Bioinformation, published by Biomedical Informatics Publishing Group on January 1, 2008. The length of the article is 892 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. ! You can view it with any web browser.

From the author: ! Keywor ds: gene index; EST CONTIGS; identifier EST; database

Citation Details
Title: PlantGI: a database for searching gene indices in agricultural plants developed at NIAB, Korea.(Web Database)(National Institute of Agricultural Biotechnology)(Plant Gene Index)(Report)
Author: Chang Kug Kim
Publication: Bioinformation (Magazine/Journal)
Date: January 1, 2008
Publisher: Biomedical Informatics Publishing Group
Page: 344(2)

Article Type: Report

Distributed by Gale, a part of Cengage LearningRed Road Poster (11 x 17 Inches - 28cm x 44cm) (2006) Style A reproduction poster print

CAST: Ju-wan On,Ho-jung Kim,Ji-young Ok,Min-ji Park,Ji-woo Jang; DIRECTED BY: Chang-ho Cho;

Envy Girls - Workouts for the Spots That Really Count

• From the producers of Carmen Electra's Aerobic Striptease
• Envy Girls 4-Disc Set: Starring Eliana, Natasha, Vala and Yvette
• Format: Closed-captioned, Color, DVD, NTSC
• Aspect Ratio: 1.33:1; Number of discs: 4; Studio: Lions Gate
• DVD Release Date: May 1, 2007; Run Time: 128 minutes

All four of Carmen Electra's sexy Aerobic striptease DVD's together in a collectable box set! Includes the original "Aerobic Striptease," "Fit To Strip", "Advanced Aerobic Striptease," and "The Lap Dance & Hip Hop."With popular dance and fitness techniques, this low-impact workout conditions and strengthens the body using moves targeted specifically to tone the hips, thighs, buns and abs. Join Carmen from the comfort of your home as she helps you look good, tone up and feel more confident!Get ready for the legendary Lap Dance. This is a step-by-step guide to the sexiest routine ar! ound that introduces even more technical moves to your repertoire, so you can tighten and tone while you’re turning someone on. The Lap Dance is sure to make you look good, feel great, and spice up your personal life! In Hip-Hop, Carmen boosts the aerobic intensity through the roof with a routine that’s one of her personal favorites! Carmen combines the sexy confidence of hip-hop dance with some incredible moves that’ll help you tone your way to a dancer’s body!With several mini-workouts targeted at the hips, buns and abs, FIT TO STRIP whips the body into shape and helps individuals achieve the confidence to strip their way to a better body!Carmen’s back and bringing total body fitness to the sexiest room in the house in Carmen Electra’s Aerobic Striptease: In the Bedroom. A follow-up to her top selling fitness series, In the Bedroom combines body-sculpting dance moves with sultry stretches and toning exercises you can perform on or around your own bed.In Advan! ced Aerobic Striptease Carmen takes striptease to the next lev! el, intr oducing more sexy, technical moves. Disc 3 in this hip aerobic series takes what you learned from discs 1 and 2, and turns it into two, fantastic role-play routines that are sure to get a response!Aerobic Striptease comes to the city that is famous for its "Strip" â€" in more ways than one â€" in Carmen’s Electra’s Aerobic Striptease: Vegas Strip. Combining hip, easy-to-perform, dance moves, burlesque and, of course, striptease, Carmen works you through an energetic routine that focuses on strengthening your body and building your confidence.While Volume One in Carmen Electra's Aerobic Striptease series featured Electra working out in front of a bed, Vegas Strip offers a more public venue, Studio 54, as her instructional setting. Since this segment is filmed at a legendary dance club, it makes sense that this workout session is constructed of choreographed dance moves, that one can either use on the dance floor or keep under wraps at home. Vegas Strip's! half-hour session will provide good cardiovascular exercise, depending on what one puts into it, though it mostly improves grace and coordination, in easy-to-learn segments set to pulsating dance music. This is equally valuable since the premise of this series is to feel sexy and have fun while working out. Though it does appear to be more of a lesson in choreography, Vegas Strip clearly demonstrates the challenge implicit to such sexed-up dance moves, and may give those who shun dirty dancing a respect for the real professionals. â€"Trinie DaltonMeet Eliana, Natasha, Vala and Yvette, the girls of ENVY. This fitness superteam delivers a hot new style of simple workouts designed to target-tone the parts that really count. In no time, you'll achieve slender abs, perfect buns, sexy legs, and lean sleek arms. It's never been so easy to lose weight and look great. From the producers of Carmen Electra's Aerobic Striptease, this brand-new 4-disc collection promi! ses to make you the envy of others. Each workout includes an e! asy Warm -Up, a 5-minute Quick Fix for body maintenance on the run, and a 20-minute Primary Workout that shapes and slims for a stunning physique. This set includes: ABS OF ENVY, BUNS OF ENVY, LEGS OF ENVY and ARMS OF ENVY.

I'm Reed Fish

• When an old high school crush returns to his small hometown, Reed Fish's once simple, calculated life begins to unravel. A drunken incident prompts Reed's fiancee (Alexis Bledel) and the entire town to turn against him. This one-of-a-kind hilariously clever comedy features an up and coming ensemble cast and an unforgettably captivating original soundtrack. Format: DVD MOVIE Genre:&nbs

Ambitious young New Yorker Beth (Alexis Bledel) wants it all: a good job, good friends and a good guy to share the city with. Of course that last one is trickiest of all, as Beth discovers when she falls hard for Tommy (Scott Porter), a handsome, young Wall Street hotshot. Just as everything seems to be falling into place, Beth meets Tommy’s shy, clumsy co-worker Daniel (Bryan Greenberg) â€" and soon learns that the game of love in the big city is a lot like Wall Street â€" high risk, high reward…and everybo! dy has an angleThe crystal-blue eyes of Alexis Bledel are the prize for which two men vie in The Good Guy. Tommy (Scott Porter from the TV series Friday Night Lights) has a great life: he's highly placed on Wall Street and has a smart and beautiful girlfriend, Beth (Bledel, Gilmore Girls). But when he tries to turn the awkward Daniel (Bryan Greenberg, The Perfect Score) into his protégé at the firm, Daniel proves to be an unexpected catalyst in Tommy's life--and Beth's. The Good Guy mixes familiar platitudes about men and women with some surprisingly fresh observations about men and women. The characters actually reveal themselves over time, turning out to be different than you might expect. It's far from perfect--the pace is a little too leisurely and some elements are a little too pat (Beth's book club is reading a novel that sounds suspiciously like the movie itself). Nonetheless, The Good Guy never turns predictable and--thoug! h the characters all live in million-dollar New York apartment! s--there are surprisingly realistic touches throughout, an attention to human details that all too often get lost in Hollywood movies. Also featuring Andrew McCarthy (Pretty in Pink) as Tommy's sleazy boss. --Bret FetzerNo Description Available.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 4-SEP-2007
Media Type: DVD

The Long Kiss Goodnight

• A violent tale of a young mother who awakens after years of amnesia to discover she's an assassin, with her former bosses in hot pursuit.Running Time: 120 min. System Requirements: Starring: Geena Davis, Samuel Jackson Director: Renny Harlin Produced by Renny Harlin, Stephanie Austin; written by Shane Black; running time of 120 minutes; Closed Captioned. Copyright: 1996, New Line Interactive M

A violent tale of a young mother who awakens after years of amnesia to discover she's an assassin, with her former bosses in hot pursuit.Geena Davis and her former husband, director Renny Harlin,attempted to pick up the pieces after the debacle of their box-office disaster, Cutthroat Island. What they came up with was this repulsive ode to American film noir, based on a script by Shane Black (Lethal Weapon) about an amnesiac schoolteacher (Davis) who searches for her true identity and find! s she is actually a secret agent immersed in a deadly plot to topple the government. Mechanistic in its violence, obnoxious in its attitude, the film makes Davis, a once-promising actress, nothing more than a special effect. She tosses one to sadists in the audience by allowing her character to be beaten, punched unconscious, and tortured. --Tom Keogh

M Poster Movie Japanese (11 x 17 Inches - 28cm x 44cm) Dong-won Kang Yeon-hee Lee Hyo-jin Kong

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Studio: Virgil Films And Entertai Release Date: 02/23/2010 Run time: 122 minutesNguá»"n: Wikipedia. Các trang: 37. ChÆ°Æ¡ng: Lee Jun Ki, Rain, Heechul, Sungmin, Ryeowook, Gim Hyeon-jung, Kim Bum, Ham Eun-jeong, Bae Yong-jun, Lee Yeon hee, U-Know Yunho, Won Bin, Choe Siwon, Gu Hye-seon, Lee Young Ae, Lee Seung Gi, Hwang Jeong-ri, Song Seung-heon, Moon Geun Young, Choi Jin Sil, Sooyoung, Choi Kang-hee, Jang Geun Suk, Jang Na-ra, Jang Seo Hee, Yun Eunhye, Hyun Bin, Song Hye-kyo, Lee Donghae, Lee Byung-hu! n, Park Soo Ae, So Ji-sub, Kim Jung-hwa, Go Ara, Kim So Eun, Kim Tae-hee, Han Hyo-joo, Song Il Gook, Jang Dong Gun, Hong Soo Hyun, Kangta, Han Ga In, Ahn Jae Wook, Son Ye Jin, Lee Min Ho, Lee Yo Won, Kim Joon, Dennis Joseph O'neil, Kim Sa Rang, Lee Tae Ran, Han Hye Jin, Kim Jaewon, Han Chae-yeong, Song Ji Hyo, Sun Woo Eun Sook, Han Ji Hye, Yu Seung-ho, Kim Ha Neul, Chae Jung An, Lee Bon. Trích: Lee Jun Ki, phát âm là I Jun Gi (sinh ngày 17 tháng 4 năm 1982, tại Busan, Hàn Quá»'c), là diá»…n viên, người mẫu và ca sÄ©. Lee bắt Ä'ầu sá»± nghiệp vá»›i vai trò là người mẫu và má»™t sá»' vai nhỏ trong phim truyền hình. Và anh nổi tiếng vá»›i vai diá»…n Gong Gil trong 'The King and the Clown'. CÅ©ng trong năm 2007, anh ấy vÆ°Æ¡n lên là má»™t top star của làng giải trí, và năm 2008, vai diá»…n Ryung của Lee trong drama hành Ä'á»™ng-lãng mạn 'Iljimae' Ä'ã làm bùng nổ cái tên Lee Jun Ki tại nÆ°á»›c ngoài, Ä'ặc b! iệt là Hong Kong và Thái Lan. Trong những năm thiếu ! niên, a nh ấy là má»™t học sinh hết sức bình thường, thích chÆ¡i thể thao và sá»­ dụng máy tính. Lần Ä'ầu tiên anh ấy cảm thấy có hứng vá»›i nghệ thuật là sau khi xem vở kịch 'Hamlet' ở trường trung học. Khi Lee thi trượt Ä'ại học, anh ấy Ä'ã chuyển lên Seoul trong khi không có nhiều tiền trong người, nhÆ°ng vẫn nuôi Æ°á»›c mÆ¡ Ä'ược làm việc trong ngành giải trí. Trong hai năm tiếp theo, Lee làm khá nhiều công việc khác nhau, trÆ°á»›c khi Ä'ược nhận vào Học viện nghệ thuật Seoul, và học về diá»…n xuất, Ä'á»"ng thời Lee cÅ©ng có Ä'ược Ä'ai Nhất Ä'ẳng Hapkido và Taekyon, Tam Ä'ẳng Taekwondo. Ngoài tiếng Hàn, Lee có thể nói Ä'ược tiếng Trung, Nhật và Anh. Năm 2001, ...M Reproduction Poster Print Japanese Style A 11 x 17 Inches - 28cm x 44cm

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Truth About Men Movie Poster (11 x 17 Inches - 28cm x 44cm) (2010) Danish Style B -(Priya Anand)(Arjun)(Banerji)(Brahmaji)(Brahmanandam)(Vajja Venkata Giridhar)

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A survey has been conducted for the collection of Oedogoniales during April 2003 to December 2006 and collections have been made from different habitats (lentic/lotic) of Shivalik Himalayas of Jammu particularly from those areas which could easily be approached for the existence of different species of Oedogonium and Bulbochaete.In totality, 74 Oedogonium species and 9 Bulbochaete species have been collected. The species of these two genera have been! identified on the basis of morphology and the dimensions of vegetative and reproductive organs. Depending upon the position of antheridial cells in the life cycle of taxa, the group has been divided broadly into two categories, i.e., macrandrous and nannandrous. Further, on the basis of position of antheridial cells and androsporangial cells in relation to the oogonium, the group has been subdivided into macrandrous homothallic, macrandrous heterothallic and nannandrous idioandrosporous / gynandrosporous forms.Truth About Men Poster (11 x 17 Inches - 28cm x 44cm) (2010) Danish Style B reproduction poster print

CAST: Priya Anand,Arjun,Banerji,Brahmaji,Brahmanandam,Vajja Venkata Giridhar,Bindhu Madhavi,Nasser,Pragathi,Ram,Sayaji Shinde,Gracy Singh; DIRECTED BY: Srivas;

Tell No One

• TELL NO ONE (DVD MOVIE)

Oscar nominee Kristin Scott Thomas (I ve Loved You So Long, Four Weddings and a Funeral) delivers another acclaimed performance in the passionate drama Leaving. When stay-at-home mom Suzanne wants to return to work, her husband agrees to remodel a garage to serve as her office. Ivan, a sexy Spanish builder, enters their lives and changes them in ways no one could have expected.

Suzanne and Ivan are irresistibly drawn together by an erotic passion that threatens to destroy her marriage, her family and everything she holds dear. Her husband will stop at nothing to destroy her first. In this thrilling romance, everyone pays a price for happiness.Kristin Scott Thomas has transformed from the ice queen of British cinema to a woman of torrid passions in French films--and Leaving may be the most torrid yet. Suzanne (Thomas) leads a pleasant but stale upper midd! le-class life, with two teenage children (demanding and unappreciative, as all teenagers are) and a slightly pushy husband, Samuel (Yvan Attal, My Wife Is an Actress). She has a fling with a Spanish handyman named Ivan (Sergi López, Pan's Labyrinth) that, to her surprise, turns into an overwhelming passion. She can't bear to be without Ivan and decides to leave Samuel… a decision that slowly disintegrates her life. The strength of Leaving lies not in the plot, which holds no radical surprises, but in the vitality of Thomas's performance (particularly striking is a scene in which Suzanne, playfully bantering with Ivan, suddenly discovers she's in deeper emotional waters than she knew) and the cool eye writer-director Catherine Corsini casts over the events. The movie lures you into sympathy with Suzanne, yet there's always something a little unnerving about her, the sense that her mad love might have more madness than love. Thomas's career in France (! including Tell No One and I've Loved You So Long! ) has gi ven this superb actress a new life. --Bret FetzerJuliette Fontaine (Kristin Scott Thomas, Golden Globe® Nominee for I've Loved You So Long, Oscar® nominee for The English Patient) is a frail, haunted woman, an ex-doctor who's a shell of her former self. Having served 15 years in prison for an unspeakable crime, she's back on the "outside." With nowhere else to go, she comes to live with her loving but estranged sister Lea (Elsa Zylberstein). Together the sisters embark on a painful but redemptive journey back from life's darkest edge in this gripping drama of struggle and salvation.Kristin Scott Thomas is brilliant as Juliette, freed from prison after serving 15 years. Enigmatic, reserved, yet ready to re-enter life cautiously, Juliette moves in with her younger sister, Lea (Elsa Zylberstein), a literature professor, and the latter's husband Luc (Serge Hazanavicius), who worries about allowing Juliette into a home with two young children (related t! o the reason she was convicted in the first place). Also in the house is Juliette and Lea's father (Jean-Claude Arnaud), mute from illness. Writer-director Philippe Claudel slowly reveals details about the nature of Juliette's crime as she takes a job in a hospital records department and is wooed by a colleague. Other forces in Juliette's life--people asking questions, a visit to her dementia-suffering mother, tensions between her and Lea--slowly tease out the mystery behind her actions and takes viewers to a conclusion that adds an element of surprise but ties things up too tidily. Claudel cultivates an aura of naturalism and no-frills storytelling that allows dramatic developments and revelations to unfold easily. The film borders a bit on soap opera, but the grace and intelligence of Thomas' performance, offset by Zylberstein's more emotional work, is never less than compelling. --Tom Keogh

Stills from I've Loved You S! o Long (click for larger image)

Based on Harlan Coben s Internation! al best selling novel, Tell No One tells the story of pediatrician Alexandre Beck who still grieves the murder of his beloved wife, Margot, eight years earlier. When two bodies are uncovered near where Margot's body was found, the police reopen the case and Alex becomes a suspect again. The mystery deepens when Alex receives an anonymous e-mail with a link to a video clip that seems to suggest Margot is somehow still alive and a message to Tell No One .

One of the Best Reviewed Films of the Year! (Rotten Tomatoes - 96% among top critics)

2008 Top 10 List Selections:
-Entertainment Weekly Owen Gleiberman
-New York Times Stephen Holden
-Los Angeles Times Kenneth Turran
-USA Today - Susan Wloszczyna
-Metacritic.com #1 - Marc Boyle
-Plus over 10 others (Washington Post, Oregonian, Newark Star Ledger, Seattle Times, Austin Chronicle, etc.)

Bonus Features:
Deleted Scenes
Outtakes
English Language Track
English SubtitlesBa! sed on the book by American author Harvey Coben, this French s! uspense thriller is one of those exhilarating word-of-mouth gems one can't to tell everyone about. Francois Cluzet stars as Alex, a pediatrician whose beloved wife, Margot (Marie-Josee Croze) was shockingly murdered eight years before. As the anniversary of her death approaches, Alex begins to receive cryptic emails and a video that seems to suggest that she is alive. The discovery of two long-buried bodies at the crime scene turn Alex into some kind of Hitchcockian Everyman, implicated in a crime he could not possibly have committed. But when he makes a mad dash from the police who visit him at his office, he seems to have signed his own confession. This synopsis doesn't even begin to hint at the genuinely exciting and surprising twists, turns, and revelations that await Alex in this Chinese box of a mystery. Brilliantly acted by an ensemble that includes Kristin Scott Thomas and French movie icon Jean Rochefort (Pardon Mon Affaire), Tell No One invites repeat viewing! s, the better to appreciate the intricacies of its plotting and construction. And if you think you have it figured out, there's this from one character who tells Alex at a climactic point, "Wait, there's more." --Donald Liebenson

Holiday Switch

• HOLIDAY SWITCH (DVD MOVIE)

It s a week before Christmas, and Paula (Nicole Eggert) is struggling with bills, life with her blue-collar husband Gary and her two daughters. So when Nick, her high school boyfriend, returns to town a wealthy art gallery owner, Paula begins to wonder where she would be if she had stayed with him and not Gary. When Paula makes a holiday wish to see what life would have been like had she made another choice, she is magically transported through her washer/dryer to a parallel life where she is Nick s wife. At first, this other life seems the answer to her dreams, as she shops and dines out with her newfound wealth. But she soon realizes that the grass is NOT always greener on the other side. Her relationship with Nick is in shambles, and she misses her real husband Gary and her two girls. When she sees Gary and her kids living a happy life with another woman, she wis! hes for just one more Christmas gift--to have back the life she didn t appreciate.Is the grass really greener along the road not taken? Holiday Switch, a charming and well-acted TV film, examines that question through the life of Paula (Nicole Eggert), a harried housewife whose sweet husband, Gary (Bret Anthony), is struggling to make ends meet for his family. Paula is never caught up on her laundry, she has the worst haircut ever given to a human person, and she longs for an easier life, a little pampering, a husband with money and influence. Is that so wrong? When she bumps into her high-school boyfriend, Nick (Brett Le Bourveau), a successful art dealer, her fantasies run wild. The next thing Paula knows, she wakes up in a different reality--in a much ritzier zip code. In the manner of It's a Wonderful Life or Sliding Doors, Paula is suddenly plopped into a parallel universe--the luxe life with Nick that she thinks she's always wanted. The first day ! is fun--Paula gets to play dress-up and drench herself in jewe! lry, fur s, great designer clothes, and every luxury she can imagine (though, oddly, she is still stuck with that bad haircut). But before long she realizes the dangers of wanting something just beyond one's reach--and not being grateful for what really matters. Eggert throws herself enthusiastically into the role of both Paulas, and her gradual realization of what she loves and misses about sweet old blue-collar Gary is conveyed with subtlety and nuance. But Paula's new, fractured life doesn't seem to be a dream she can awaken from--and Paula's heartache is palpable. Holiday Switch is set at Christmastime, so that the themes of family, gratitude, and the value of love over material possessions ring even more true. You see, Paula? You really have had a wonderful life. --A.T. Hurley